LA Times Review
Chris Kraus Essay
Old Man, 1998
Ink on paper, 20 x 28 inches
Gingerbread House and Gingerbread House Floors, 1998, From The Cooking of Germany solo show at POST Gallery, Los Angeles
watercolor and ink on paper, 8 sheets
37.5 x 37.5 inches
POST Gallery Installation View, 1998. Galaxy of Wursts and The Farm Wife
Galazy of Wursts and The Farm Wife, Oil on canvas, each 48 x 60 inches
The Farm Wife, 1998
Oil on canvas, 48 x 60 inches
Detail, The Farm Wife
Galaxy of Wursts, 1998
Oil on canvas, 48 x 60 inches
Detail, Galaxy of Wursts
Squash Portrait, 1998
Oil on panel, 12 x 16 inches
Squash, 1998
Oil on panel, 12 x 16 inches
Bread and Butter, 1998
oil on canvas, 8 x 10 inches
Embroidered Starches, 1997
Cotton and silk floss on linen, 42 x 26 inches each, 42 x 90 inches total
Dairy Farmer, 1998
watercolor and graphite on paper, 30 x 22 inches
Breads and Pretzels, 1998
watercolor and graphite on paper, 30 x 22 inches
Yeast and Yoga, 1998
ink, watercolor and graphite on paper, 32 x 46 inches
Frau Klaus #1: On the Way to the Oven
Graphite on paper, 16 x 16 inches
Frau Klaus #2, The Oven, 1998
Graphite on paper, 16 x 16 inches
Frau Klaus #3, 1998
Graphite on paper, 16 x 16 inches
The Cooking of Germany
Solo Exhibition at POST Gallery, Los Angeles, included (among other pieces) works painted from Time-Life’s The Cooking of Germany cookbook, a series of squash portraits painted from life, and embroideries from antique science of bread baking book. Catalogue with essay by Chris Kraus, and LA Times review by Claudine Ise.